Deformance
(Deformative Listening)

alphabetized by source poem author

Dante Alighieri, (14th Century)

1. Caroline Bergvall (2000): Via (48 Dante Variations) (10:00) (A compiled list of translations into English of the opening lines of Dante's Inferno)
2. Bruce Andrews (2001) Primum Mobile 10 (4:17) (from Lip Service, a loose thematic translation of Dante's Paradiso)

Charles Bernstein

1. Jasper Morris (2008, age 8): 1-100: Homage to Charles Bernstein, after "1-100" (1969)
2. Plastic Boner Band (Samuel Henry), "Every Lake Has a House" (7:32): mp3

Geoffrey Chaucer, The Canterbury Tales (14th Century)

Caroline Bergvall (2006) — Shorter Chaucer Tales

1. Party on: "The Host's Tale" (5:06)
2. The Summer Tale (deus hic, 1) (2:52) , Text published in Jacket #31 (Oct. 06)
3. The Franker Tale (deus hic, 2) (5:41), Text published in Jacket #32; see also note on text, from same issue.
4. The Not Tale (funeral) (1:32)

T.S. Eliot, "The Love Song of J. Alfred Prufrock" (1917)

Steve McLaughlin — Prufrock Juxtapositions (2005)

1. Toggle: 1 Second (2:12)
2. Toggle: 2 Seconds (2:12)
3. Toggle: 3 Seconds (2:12)
4. Toggle: 5 Seconds (2:12)
5. Simultaneous (2:12)
6. Subjective (2:12)
   
   
   
   

T.S. Eliot, "Burnt Nortan"by Janek Schaefer (2007) (info here)
mp3



Stephen Foster, "Jeannie with the Light-Brown Hair" (1854)
Felix Bernstein (2003), as introduced by Kenneth Goldsmith on WFMU I Dream of Jeannie (15:55)

Kurt Schwitters, Ursonate (1922-32)

1. Tomomi Adachi (2001): Schwitters Variations (7:54)
2. Ensemble Ordinature (2003): Rondo allegro largo (For more see EO on UbuWeb.)
3. Luke McGowan (2005): Robo Ursonate (18:36) (Text-to-speech reading of the Ursonate.)
   
4. Linnunlaulupuu (2005): Ursonate
5. Kun Jia (2006): Simultaneous Ursonate (13:38) (audio of Kurt Schwitters, Christopher Butterfield & Eberhard Blum)
   

Danny Snelson — Feverish Propogations (2009)

1. You (1984)
2. You-You (1984-2006)
3. I (1984)
4. You-You-You (1984-2006-2009)
   

These sound recordings are being made available for noncommercial and educational use only. All rights to this recorded material belong to the authors. Distributed by PennSound.