KELLY WRITERS HOUSE

 

Michelle Angela Ortiz
SURVIVING THE ENCOUNTER:
Exploring Movement
and Contradiction
through the Passage
of Remembrance

 

ARTIST STATEMENT

 
Art is a record of time and existence. It represents a thought, culture, society and history. I have always encountered myself in a constant cycle of observing and documenting. Hearing stories in my kitchen with my mother and grandmother influenced my creative spirit as a child. I would try to visualize every spoken word to a scent, color, texture and space. In my mind I created a picture of reference. I was desperately curious to see where the stories I heard took place. Who were the characters involved? Were they how I imagined them to be?

I yearned for the knowledge of the past at a very young age. I understood its importance and influence on my life. This fed my innate desire to create the images I imagined in my mind into a physical form. The act of creation eventually led me in a continual journey of self-reflection.

Throughout my evolution, I have explored the many facets that reflect my cultural, ancestral, social and spiritual experiences. I began to observe my family and self in my work. My observations have revealed visions, gestures and smiles of unfamiliar faces. These multiple images granted an encounter with the past.

Nostalgia is ever present through these encounters that continue to contradict or support the present. I attempt to display these experiences, not for storytelling, but to record, document, educate and present truth. It is through my work that I continue to explore the various perspectives that mirror the intricacies of my being. I strive to create work that communicates a consistency in theme and personal meaning. I create to recall a past that I have heard of but not seen. I create to document my struggles, triumphs, observations and changes. I create to survive the dissipation upon my existence.

 

—Michelle Angela Ortiz

 


 

Michelle Angela Ortiz, a graduate of Moore College of Art & Design, explores the Latin American and Caribbean cultures and their relationship to a North American locale. Creating works in various media, Ortiz probes issues of otherness, misplacement, and uncertainty about identity that continue to perform a significant role in a North American discourse. For the past five years Ortiz has worked with nonprofit organizations Taller Puertorriqueno, Network Arts, Mural Arts Program, Congreso, Art for Change, and AMLA. Ortiz has also created over fifteen large-scale murals and mosaics in Philadelphia, Camden and Ecuador. Previous exhibition venues include The Painted Bride, Fox Gallery, Stedman Gallery, Goldey Paley Gallery, and Art Forms Gallery. Ortiz is also serving as current co-president of the Philadelphia chapter, Women's Caucus for the Arts.