Kelly Writers House Fellows Seminar, spring 2000
Beth on This American Life


From: bwarshaw@sas.upenn.edu ("Somebody's Fool")
Message-Id: <200102211649.f1LGnAl28198@mail2.sas.upenn.edu>
Subject: This American Life/Sedaris
To: whseminar@dept.english.upenn.edu
Date: Wed, 21 Feb 2001 11:49:10 -0500 (EST)


A little table of contents, for those who want to skip around in my 
compartmentalized report:
Sidebar
Schedule
Numbers about TAL
What it is
What the host has to say
What I think
Selection of shows that Sedaris has done (look up the show dates in the 
TAL archives --found on the home page-- to access them via Real Audio)
________________________________________

Sidebar:  This American Life is NOT an NPR program, but is produced 
independently at WBEZ (91.5 FM) Chicago, and is distributed by PRI, 
Public Radio International. Yes, I know that Ira Glass (the host) refers 
to it as an NPR program, to avoid confusion, but I'm not trying to split 
hairs.  Whether or not a show is syndicated by NPR makes little semantic 
difference, but it has a lot of bearing on the content and format of the 
show. It just sounds kind of ignorant when we call it an NPR program, 
especially when they mention PRI several times per show.
__________________________
Schedule: TAL runs tonight (Wednesday) at 10pm and reruns Saturday at 8pm 
and Sunday at 11am on WHYY (90.9 FM). Check it out if you can.
__________________________
Numbers: TAL is an hourlong weekly show that currently runs on 420 
stations across the US. It's received grants from the Corporation for 
Public Broadcasting and the NEA, and just celebrated its 5th anniversary 
last November. It has over a million regular listeners, most of whom are 
much younger than the average public radio demographic of 35-59.
__________________________
What it is:  
>From the website (www.thislife.org): 
	"Its mission is to document everyday life in this country. We 
sometimes think of it as a documentary show for people who normally hate 
documentaries.  A public radio show for people who don't necessarily care 
for public radio. What we look for in putting the show together are 
stories that we love, truly love. We have the themes because mostly, they 
make it sound like there's a reason to hear a story about, say, a contest 
where everyone stands around a truck for days until one person is left 
standing" [this is the "Hands on a Hard Body" competition, about which 
you can find a video documentary as well] ..."We think of the show as a 
kind of journalism.  Our former contributing editor says that what we're 
doing is applying the tools of journalism to everyday lives, personal 
lives.  Which is sort of true. It's also true that the journalism we do 
tends to use a lot of the techniques of fiction: scenes and characters 
and narrative threads.  Meanwhile, the fiction we have on the show 
functions like journalism: it's fiction that describes what it's like to 
be here, now, in America."
_______________________________
What Ira Glass, as host, lead producer, and originator has to say:

"I don't really like stuff which is 'good for me' very much.  The reason 
why I would want somebody to listen to this show is not because it will 
make them into a better person, but because they simply find that they're 
drawn in by the characters in the stories. I hate that public radio 
feeling when I'm listening to Morning Edition and I feel like, 'If I 
listen to the end of this report, I will be a better person and a better 
citizen'. I hate that!"

"I look to do on the radio what I would want someone making a radio show 
to do for me, i.e., to be awake to the world, to tell me things that I 
will find interesting, and to engage me."  

"One of the ongoing obsessions of the show is doing stories about people 
who are horribly mischaracterized elsewhere in the media."
______________________________
What I think:

Because you care so much...I've actually applied before to be an intern 
at TAL, and I'll be trying again in a few months (I lost to a man who'd 
just come back working with the Red Cross in Bosnia AND had a record 
deal on Drag City with his band...how do you compete with that?) Some of the 
things that comes up when discussing TAL are A. how the 
men who appear on the show are straight out of Lisa Simpson's Non-Threatening 
Boys Magazine, and B. how earnest (or naive or un-ironic or whatever) the 
show is. Some people actually call it a "feminized" show, but I 
honestly don't see that: personally, storytelling and listening to 
people's experiences are some of the most important things we can do, 
and putting together a show with the theme "Sissies" does not a sissy 
make. But whatever, listen for yourselves.      
_________________________________
David Sedaris has been reading his own essays and plays and just talking 
it up with Ira Glass on air since the show's inception, and is TAL's most 
constant contributor. Many of the pieces he's read can be found in Naked 
or Me Talk Pretty One Day, but some are totally original and can only be 
found on www.thislife.org. Here's a few interesting ones (starred are 
ones I love):

(This one's for Tim) "Cruelty of Children" June 21, 1996, Episode 27:
		Act 1: I Like Guys

"Detectives" July 12, 1996, Episode 28:
		Act 2: Writer David Sedaris on the odd crime wave that 
		hit their own home.

"Animals" January 31, 1996, Episode 12:
		Original radio play by David Sedaris and the Pinetree Gang

"Christmas and Commerce" December 20, 1996, Episode 47:
		"Santaland Diaries" in its complete form

*"A Very Special Sedaris Xmas", December 19, 1997, Episode 87:
		Stories from "Holidays on Ice"

*"Delivery", March 14, 1997, Episode 57:
		Act 3, World premiere David Sedaris play.

*"Americans in Paris", July 28, 2000, Episode 165:
		David Sedaris gives Ira a tour of "his" Paris for an hour.

"Death to Wacky", March 20, 1998, Episode 97:
		Act 1: Negative. Sedaris tells true stories of 
		photographers who try to take pictures of him which will make 
		him seem more "wacky" than in fact he is.



-- 
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* The art of losing isn't hard to master;    *
* so many things seem filled with the intent *
* to be lost that their loss is no disaster. *
*                         -Elizabeth Bishop  *
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