Katie Degentesh:
Legitimate and illegitimate poems
Legitimate and illegitimate poems
John Ashbery’s new poem
Robin Tremblay-McGaw’s SF reading report
Sean Bonney:
rewriting Baudelaire & Rimbaud
rewriting Baudelaire & Rimbaud
When Bruce met Sally – part two
Martha Ronk: No Sky
A feature on Pinay poets edited by Barbara Jane Reyes
Kent Johnson, Frank O’Hara & the question of author/ity
Stephen Burt on ways to the new
Mergermania is destroying the trade publishers
Artemis in City Hall
Bill Gratwick & WCW
Signage underground
Shaken, not stirred – no buts
The Shire in Milwaukee
Graham Foust: The Good Historian
Vonnegut’s rules for reading fiction
CS Giscombe: Reading Denzel Washington
Why Mo Yan?
Is censorship ‘necessary’?
Muerong Xuecun challenges China’s censors
Alan Moore’s Neonomicon banned in SC
Should B&N spin off the Nook?
The essays of TR Hummer
Children as absurdists
Geoffrey Pullum: who’s whom?
Science in sign – not!
Sianne Ngai lives in “interesting” times
Amy King: One Bird Behind One Bird
Ian McEwan: still reading poetry
Random House staff gets bonuses
Talking with James Franco
Mark Strand is Almost Invisible
Pacino rescues Mamet
Nancy Huston wins the Bad Sex award
Edmund White on writing good sex
Doug Messerli on John Hurt
in Krapp’s Last Tape
in Krapp’s Last Tape
Jonas Mekas:
scenes from an extraordinary life
scenes from an extraordinary life
Joyce reviews Ibsen
Danny Boyle vs. Shakespeare
Taking Shakespeare out of the curriculum
Trisha Brown is retiring
Who owns the choreography?
Raphael’s stock rises
Corcoran will stay put
Europe cuts back on public art
Robert C Jackson painting The Critic
Pollock @ 100
Remembering architect Oscar Niemeyer
Niemeyer dead @ 104
NPR obit
Brubeck’s innovation
The Pathé Brothers: Le Faune
Frederick Neumann has died
Michael Bérubé on the crisis in the humanities
Who needs the Constitution?
Slut label refuses to die