Amiri Baraka
doesn’t like Angles of Ascent:
A Norton Anthology of
Contemporary African American Poetry
doesn’t like Angles of Ascent:
A Norton Anthology of
Contemporary African American Poetry
A response to Baraka
A terrific new poem from
j/j hastain
j/j hastain
Eileen Myles:
Painted Clear, Painted Black
Painted Clear, Painted Black
UK’s Instagram act:
pushing © to the breaking point
pushing © to the breaking point
Chris Nealon:
The Prynne Reflex
The Prynne Reflex
Barrett Watten:
Dream of a Post-Soviet MLA
Dream of a Post-Soviet MLA
Gender-flipping book covers
Enemies of the South:
a festival of collaboration
a festival of collaboration
Kyle Schlesinger on recent broadsides
Roberto Bolaño: Mexican Manifesto
An explosion of laureates
Gillian Conoley & Dara Wier in conversation
Talking with Benjamin Alire Sáenz
Ashbery wins a Bloomie
The return of Molly Bloom
Nia Davies’ Then Spree
Claire Donato’s Burial
Suffragist poetry in the new Northwest
WCW:
how to perform a funeral
how to perform a funeral
Palindrome verification program
Talking with Hemon
It’s not your mother’s library
Brooklyn Public Library
faces a 36% cut --
act now!
faces a 36% cut --
act now!
Library fines are a life lesson
Natasha Trethewey still matters
New Yorker
writes the King James Bible
writes the King James Bible
F Scott Fitzgerald:
Bernice Bobs Her Hair
Bernice Bobs Her Hair
Corrected Slogans:
Reading & Writing Conceptualism
Reading & Writing Conceptualism
Place:
I is not a Subject
I is not a Subject
Vanessa Place: making money
Eunoia is not an acceptable word
Canadian poets go digital
Graphology – it’s a French thing
William Burroughs’ daily routine
Mnemonics of everyday life
Poetry: a value-added investment
Pynchon’s Inherent Vice
starts filming
starts filming
Geoffrey G O’Brien: Thanatopsis
Matthias Regan’s CHVMS
Bellow’s boys bellow
Rachel Webster
makes the past a destination
makes the past a destination
Margaret Atwood: against poetics
Gerald Stern on PBS
Stewart Home
& the literature of revenge
& the literature of revenge
5 books that will make you forget
Fifty Shades of Whatever
Fifty Shades of Whatever
Claire Messud: What kind of question is that?
How to find a book
Stein’s translations of Vichy’s Pétain
Haiku for Mars
Susan Howe on Stevens & poetics
Howe’s Sorting Facts:
Or Nineteen Ways of Looking at
Chris Marker
Or Nineteen Ways of Looking at
Chris Marker
The writer’s group
How to design a book
13 words & phrases
that need to return
that need to return
Shane McCrae: Essay on Feedback
Talking Taxi Driver with Harry E Northup
Bollywood mirrors Indian realities
A Google doodle for Hitchcock
NY Times obit for Herbert Blau
Seattle Times obit for Blau
Anthony Braxton & William Parker
among this year’s
Doris Duke Artists
among this year’s
Doris Duke Artists
Pavarotti’s UK debut
Cedric Brooks has died
Barbara Kruger’s Supreme Court
John Yau gets colorful
A Louvre to the north
I was the Chinese Girl
Ivan Sigal’s White Road
Barry Schwabsky:
NYC 1993
NYC 1993
Versus, say, 1963
Can China save
Britain’s art galleries?
Britain’s art galleries?
Pennsylvania man
busted for NY art theft
busted for NY art theft
The Dude abides
on the other side
of the lens
on the other side
of the lens
Urs Fischer:
the raw & the overcooked
the raw & the overcooked
Nicholas Nixon:
4 sisters every year for 36 years
4 sisters every year for 36 years
Christine Keeler’s photo
still transgressive
50 years later
still transgressive
50 years later
Your sexts can be art
Punk this!
Frederic Franklin has died
Ada Louis Huxtable
& the fate of New York
& the fate of New York
Jasper Bernes & Joshua Clover:
What was neo-liberalism?
What was neo-liberalism?
Jaron Lanier:
Who Owns the Future?
Who Owns the Future?
Anti-MOOC sentiment @ San Jose State
Outsourcing grading to Bangalore
