Kenny Goldsmith’s ‘atrocity exhibition’
Cara Benson & Pattie
McCarthy:
the social impact of innovative writing
& pedagogy
the social impact of innovative writing
& pedagogy
Craig Dworkin’s No Medium
John Ashbery:
Self-Portrait in Google Glass
Self-Portrait in Google Glass
Aram Saroyan:
reading with Rod McKuen
reading with Rod McKuen
Jaap Blonk being Jaap Blonk
Trethewey’s back,
hoping that people will notice
hoping that people will notice
Ghassan Zaqtan & Dave
McFadden
win the Griffin
win the Griffin
Julie Cohen:
A response to Mark Edmundson
A response to Mark Edmundson
Likewise from Seth
Abramson
Carpe diem, but gently
Dorothea Lasky’s Thunderbird
Al-Mutanabbi
Street Starts Here
Seth Abramson’s June review
of poetry books
of poetry books
Civility & sex talk
Mary Ruefle’s Selected
Poems
Shakespeare’s laws
Shakespeare in Chicago
does it direct
does it direct
To a Mouse
City Lights celebrates 60 years
18th century
views of
language
Telegram era ends Stop
Russia’s most isolated
dialect
turns up in Alaska
turns up in Alaska
Dry tweets @ the Getty Research
Center
Neil Gaiman
reading from
The Ocean at the End of the Lane
reading from
The Ocean at the End of the Lane
Claudia Emerson moves to VCU
Gary Soto:
What poets are like
What poets are like
Spilling your guts for a poem
University presses are under pressure
Ai Weiwei:
privacy & incarceration
privacy & incarceration
Berlin’s most upsetting monument
Le Corbusier comes to MoMA
Francesco Vezzoli’s The Trinity
Top 10 art docs
available on Netflix Instant
available on Netflix Instant
Playboy’s neon bunny
in Marfa, Texas
in Marfa, Texas
Munch museum approved for Oslo
Shot artist may not paint again
Basquiat: the musical
David Byrne’s bad advice
Bill Nye, science warrior
Why we fear MOOCs
Cary Nelson:
Being a professor
will no longer be a viable career
Being a professor
will no longer be a viable career
The decline & fall of
the English major
the English major
The curriculum of the
stacks
An internship in journalism