Unpublished poems and fragments from the first typescript:
The Bodice
|
One typescript page, letter format (laid paper, watermark: Extra Strong). Dated May 1962. No corrections, except for one word circled in black ink. |
| The Bodice |
| There is a special something in this for the | |||
| Inkwell. There are oranges. | |||
| The first time you hit the ball it was | |||
| Impossible to see the dust. |
| It has a special charm for the hearts. heads? | ![]() | ||
| Inkwell. There is orange dust | |||
| The impossible time you killed the fall. | |||
| The camera photographed the dust. |
| The dust is special. There is dust everywhere. | |||
| The way you dealt with the oranges | |||
| The time you were killed--your body | |||
| Propelling dust. They photographed you. |
| There was no special reason why they should have chosen you, | |||
| The way the oranges of your body flared, you | |||
| Had killed his love for your body | |||
| That was taking pictures of you. |
| The hod-carrier stopped. For this reason alone | |||
| Your body took over. Write it in orange ink, | |||
| Please. Love, once more, | |||
| And the impossible situation of the pictures. |
| The reason the hod-carrier, perhaps, | |||
| Your body, orange and full of grass. | |||
| Please. Forget the offer of love | |||
| Or the impossible will return to your hand. |
| Perhaps the hod-carrier had not voiced | |||
| The orange barley, wheat and grass | |||
| Those flags the altar of love | |||
| And I return, impossible, to give you my hand. |
| The hod, vivid, and the air of the morning | |||
| Pierced with fresh satisfactions, and alarm. | |||
| Flags altered, love of places. | |||
| The land is returning. The painted stream. |
| By the time they got the filter working, the passageway'd | |||
| Gone all silver. The tin bathroom was closed. | |||
| It was now impossible to return to the flag. | |||
| The floor {slowly} reunited their dreams in a single hand. | ![]() | ||
| JA May 1962 |

