| rooms, suites of rooms, buildings, or plants |
| in line. Their encompassing or total character |
| intercourse with the outside and to departure |
| such as locked doors, high walls, barbed wire, cliffs, water, forests, or moors. |
| conflicts, discreditings, and failures |
| orf assimilation. If cultural change |
| the outside. Thus, if the inmate's stay |
| victory. They create and sustain |
| a particular kind of tension |
| dangers to it, with the welfare |
| jails, penitentiaries, P.O.W. camps, and concentration camps |
| some worklike task and justifying themselves |
| army barracks, ships, boarding schools, work camps, colonial compounds, and large mansions |
| abbeys, monasteries, convents |
| starting point. By anchoring |
| them; what is distinctive |
| attributes. In speaking of |
| outside world. Each grouping |
| bitter, secretive, and untrustworthy |
| condescending, high handed, and mean |
| superior and righteous |
| inferior, weak, blameworthy, and guilty. |
| Even talk across the boundaries may be conducted in a special tone of voice |
| swamped. On Ward 30 |
| unless Dr. Baker himself asked for them |
| persevering, nagging delusional group— |
| “worry warts,” “nuisances,” “bird dogs,” |
| in the attendants''s slang |
| passage of information, especially information |
| excluded from knowledge of the decisions taken regarding his fate |
| a special basis of distance from and control over inmates |
| restrictions of contact presumably |
| worlds develop, jogging alongside |
| bounds. But to say |
| work, then, this |
| outside. There |
| it. This is |
| ceremonial, payments, such |
| required, induced not by reward |
| can buy; all needs |
| staff; here |
| tThey say. Is it |
| us? For by |
| hour; paid to work, paid |
| sleep: always those halfpence |
| up. Impossible, therefore, to dignify a job |
| it well. It must |
| waiting, but another job |
| self-respect. (Staff members |
| the family. Family life |
| living, but in fact |
| existence. Conversely, |
| culture” (to modify |
| of being “in” or “on the inside” does not exist apart |
| home world. Upon entrance |
| abasements, degradations, humiliations, and profanations |
| is mortified |
| of self. In civil life |
| taboo. Although |
| home. The role |
| such. It may not be |
| up, at a |
| cycle, the time |
| advancement, in |
| “civil death” |
| world. The process |
| well. We |
| life history, photographing, weighing, fingerprinting, assigning numbers, searching, listing personal possessions for storage, undressing, bathing, disinfecting, haircutting |
| nakedness. Leaving off |
| on, with |
| Cclothing, combs, needle and thread, cosmetics, towels, soap, shaving sets, bathing facilities |
| disfigurement. B, beatings, shock therapy, or, in mental hospitals, surgery |
| dispossession |
| integrity. At admission |
| way. Given |
| movements, postures, and stances |
| demeaning. Any |
| regulation, command, or task |
| that forces |
| pose, so he may |
| “sir.” Another |
| beg, importune, or humbly ask |
| a daily round of life |
| his body, his immediate actions, his thoughts |
| clear of contact |
| violated; the boundary |
| relationships. (Similarly, |
| hold oneself off |
| every gesture and nuance of expressionerror |
| forms, for therse |
| over: forcing upon |
| men of his own type and badge |
| its effect, with |
| a disruption |
| his acrts |
| attacks. The individual |
| situation; he |
| society, when |
| of self, he is |
| sullenness, failure to offer usual signs of deference, sotto voce profaning asides, or fugitive expressions of contempt, irony |
| derision. Compliance |
| activity, citing |
| society, audience |
| avowals and implicit claims |
| thrown up |
| well-oriented, unantagonistic |
| process, since |
| doctrine. A “permissive” |
| situation is collapsed |
| itself, and he |
| action. A second assault |
| of regimentationregulation and tyrannization |
| judged. Beyond this |
| pace. He need not |
| fit into |
| regulations and judgments |
| by staff; the inmate's |
| above, especially |
| unthinkingly |
| “One!” |
| “Two!” |
| “Three!” |
| shirts on |
| pants at |
| shoes at |
| Aany noise, like |
| attention, hands |
| thumbs even |
| face or head |
| enforced. No |
| official, visitor or, guard |
| beyond sight |
| still and hidden |
| smoking, shaving, going to the toilet, telephoning, spending money, or mailing letters |
| submissive or suppliant |
| teased, denied, questioned at length, not noticed |
| put off |
| able bodied yet lacking |
| unsupplied. Even |
| indefinitely, while |
| dress, deportment, manners |
| the press of |
| enveloping tissue of constraint |
| school, but |
| certain rights |
| sanction. (This arrangement, |
| outside, the adultaudit |
| work, or |
| diffuse, novel, and strictly enforced |
| ones, to live |
| the consequence of breaking |
| disrupt or defile |
| over his world— that he is a person |
| a soft bed |
| quietness at night |
| “pretty please” |
| jump up for it |
| his will. Less ceremonialized |
| superfluous. And instead |
| restrictions by renunciations, beatings, by self-flagellations, inquisition by confession |
| to talk; on the inoutside |
| such rights |
| Tthe building of a world |
| culture, and yet |
| sharing; it almost |
| cigarettes, candy, and newspapers |
| animals and children |
| components, put together |
| power. This power |
| ridicule, vicious ribbing, moderate and sometimes severe corporal punishment |
| “messing up.” Messing up |
| escape), getting caught |
| fights, drunkenness, attempted suicide, failure at examinations, gambling, insubordination, homosexuality, improper leave-taking, and participation in collective riots |
| cussedness, villainy, or “sickness,” |
| a vocabulary |
| “the angles,” |
| “ins.” |
| as by |
| objects, then |
| decent human beings |
| pervades |
| slogan shouting, booing,tray thumping, mass food rejection |
| mutinies; but these |
| plateaus of disinvolvement |
| broken (as they |
| disciplined, moralistic, monochromatic |
| sponsor an ideal |
| it cool.” This |
| cramped, arduous |
| engendered. The low |
| processes, creates |
| a story, a line, a sad tale |
| means of accounting |
| conversation and concern |
| tactful, suppressing |
| misdeeds, and the refusal |
| on, and |
| wasted or destroyed or taken |
| “done” or “marked” or “put in” or “pulled.” |
| hard. This time |
| sense |
| dead and heavy-hanging |
| field games, dances, orchestra orand band playing, choral singing, lectures, art classes or woodworking classes, and card playing |
| industrial alcohol, nutmeg, or ginger |
| of dead sea in |
| vivid, encapturing |
| outside?”. This |
| sharp smell of fresh air |
| pass |
| loss or failure |
| circles from which |
